![]() ![]() ![]() The younger sister, Sridevi wears red, which Gopalakrishnan says is to symbolize revolt. ![]() The film is beautiful because Rajamma doesn't revolt like the younger sister but utters her attenuated critiques through her silence- shows what a hypocritical, cowardly, weak and despicable her elder brother is. She screams in the movie- "when will I get out of this hell-hole."This shows how patriarchy is slowly destroying the women, they revolt through their suffering. The Most interesting character is Rajamma (who wears blue) to show how she suffers silently against the silence meted out to her by patriarchy when she asks for justice. #ATAYALANGAL MALAYALAM FULL MOVIE ONLINE HOW TO#The eldest sister wears green to show fruition- she has survived in patriarchy by marriage and bearing children but not quite- she still worries about wealth and how to feed her family, who uses her as a tool to get more money from her brother. Gopalakrishnan says he gave her blue to wear to show her gentlesness. The women are represented by Rajamma who wears blue to show her gentleness- she is even incapable of imagining how to chart her life outside patriarchy but the revolt against it shows in her silence, in her suffering. The Rat Trap is a metaphor to show how the women are trapped within the system- how they are locked into place. He needs to be propped up his sisters who cook for him, clean for him, while he oils himself when he is even incapable of negotiating the outer world which is changing the form of patriarchy- from feudal to nationalist. The patriarchal figure of the "little master" is completely incapable of facing any threat to his position, he cannot take care of himself without the women, cannot face the taunts and the threats of his extended family and the villagers. The sister Rajamma is destroyed by the silence of her brother, who does not support her when she wants to get married, keeps silent when she is ailing and dying. Silence is a huge trope in the move, with large swathes of silence in dialogue, the way the camera lingers on the characters, follows them through the scene, almost unbearably patient. Gopalakrishnan says in his interview that the movie was inspired by the feudal characteristics of his own family. The Rat Trap acts as a metaphor to understand how the women are placed within the feudal system of Kerala. Eventually, succumbing to the adverse conditions surrounding him, he withdraws like a rat into a hole. His elder sister fights for her share of the property, whilst his obedient younger sister works for Unni like a slave. The film revolves around a middle-aged man Unni and his three sisters and their struggle to let go of Kerala's feudal system of life. ![]()
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